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Salve or let's better say Hi to Allrounder Monument, the inscriptional typeface and the second member of the multi-purpose Allrounder Super Family. 

Allrounder Monument was inspired by ancient inscriptions on columns, monuments and buildings in Rome. These letters – being as old as two millennia – radiate their own classic charm and give this ancient touch to every design today – just as Allrounder Monument.

The timeless typeface is ideal for headlines in posters, magazines, cards, etc. If you want an even more spectacular and exciting headline, additional ligatures and a stylistic set provide the necessary power to achieve this goal with ease.

As Allrounder Monument is a part of the Allrounder superfamily, you can easily combine the three weights Book, Regular and Medium with the corresponding weights of Allrounder Grotesk. They both share the same height of the capitals as well as the same color. Mixing type is a piece of cake with the Allrounder Superfamily.

The next member of the Allrounder Collection will be Allrounder Serif, a Renaissance Antiqua loosely based on Granjon. Stay tuned for more.

P.s.: Head over to Allrounder Grotesk and get a value pack for the three accompanying weights Book, Regular and Medium of Allrounder Grotesk.

A heavy serif font with a handmade feel, Walden gives a hearty impression.

Despite its rustic appearance, Walden is perfectly adaptable to contemporary use, wherever a bit more character is needed. Decidedly kept simple, these three weights with matching italics is all you need.

Siena is a luxurious type. A modern contrasted sans serif. Over 25 years in the making, FS Siena is tailor made for high-end brands. Sumptuous, elegant and eclectic, a nonconformist typeface with classical roots. It’s been a long time coming, but with its heady mix of elegance and quirky charm, FS Siena is worth the wait.

FS Benjamin is the London typeface.

Big Ben is the nickname for the Great Bell of the clock at the north end of the Palace of Westminster in London. The origin of the bell’s nickname is open to question; it may be named after Sir Benjamin Hall, who oversaw its installation, or boxing heavyweight champion Benjamin Caunt.

FS Meridian is the timeless typeface.

A rhythmic sans serif which takes inspiration from the precise yet imperfect nature of time. From a geometric base, its rounded forms veer and extend, creating unexpected humanistic shapes – while the straight terminals remain reliably rigid. This combination of forms gives this grotesque sans serif a pleasingly dynamic rhythm,

every time it’s read.

Alvar is a Modernist typeface. A utilitarian headline font inspired by the work of Alvar Aalto. FS Alvar is ideal for display headlines, advertising, and everything that's cool.

FS Sophie is a seductive type.

A stylish shapely face with a spirited character combining beauty, elegance and modernity. Conceived with curvy lines and angled edges for offbeat advertising and publishing.

FS Conrad, is a conceptual typeface. Formed from the theoretical ideas of the work of artist Conrad Shawcross for his Chord exhibition. FS Conrad, an intricate display typeface composed of fine parallel lines that overlap to create a multilayered texture within words.

FS Shepton is a natural typeface.

100% hand-drawn and purposely imperfect, with the kind of inconsistent, organic shapes and textures of signs used in a delicatessen or greengrocers. A series of display fonts for packagaing, advertising and point-of-sale.

FS Shepton offers up three alphabets that are similar in character but each with their own texture and style.

FS Dillon is a rational typeface. Its inspiration came from our exploration of the work and philosophy of the Bauhaus movement of the 1920s and 30s, their pursuit of simple, practical forms. To this we’ve added a thoroughly modern flavour, stark yet warm, imbued with the quirky individuality that has become a Fontsmith signature. The letterforms are simple and direct. Compact, with a large x height, they are built for maximum clarity, economy of space, and impact. But that’s not all. The Bauhaus sought beauty through function – we think we’ve achieved that too.

Albert’s a charismatic typeface. A warm, sensitive face with a big personality. He’s a friendly sans serif font; shapely, flexible and modern. Available in a wide range of weights, Albert’s a versatile face ideal for use in most applications.

FS Albert Pro has multilingual features, including Latin, Greek, Cyrillic, Small Caps, Oldstyle & Lining Figures, Superiors, Fractions, Alternative characters.

FS Brabo is an eloquent typeface.

Not a revival, but very much a contemporary & sturdier interpretation of a garalde – a class of typeface originating in the 16th century with characteristically rounded serifs and moderate contrast in between strokes. FS Brabo is a modern take on a workhorse serif typeface: colorful and versatile enough to adorn not just editorial projects but also signage, advertising, logotypes and other uses.

FS Lucas is a geometric typeface. Based on near-perfect circles, triangles and squares. Taking classic geo formal qualities that have been optimised for the demands of modern brands, online and offline usage, readability and accessibility. FS Lucas is the bold and deceptively simple result.